Books in The Best Mysteries of All Time series

POSTMORTEM The first Dr Kay Scarpetta novel which won five international awards for the best first crime novel of 1990. 'Terrific first novel, full of suspense, in which even the scientific bits grip.' The Times ALL THAT REMAINS A killer is stalking young lovers. Taking their lives and leaving just one tantalising clue . 'Another triumph for Patricia Cornwell's special brew of forensic and intuitive sleuthing.' Sunday Times Visit Patricia Cornwell's own website at www.patricia- cornwell.com

Everybody loves a winner, and the Rabbs are major league. Marty is the Red Sox star pitcher, Linda the loving wife. She loves everyone except the blackmailer out to wreck her life. Is Marty throwing fast balls or throwing games? It doesn't take long for Spenser to link Marty's performance with Linda's past...or to find himself trapped between a crazed racketeer and an enforcer toting an M-16. America's favorite pastime has suddenly become a very dangerous sport, and one wrong move means strike three, with Spenser out for good!

The complete screenplay of Anthony Minghella's new adaptation of Patricia Highsmith's THE TALENTED MR RIPLEY. Tom Ripley, a small-time con man, arrives in Italy from New York in search of a wealthy young man named Dickie Greenleaf. He has been sent by the young man's wealthy father to bring Dickie back to America. But once in Italy, Ripley becomes so attracted to Greenleaf and his exotic lifestyle in the seaport village of Mongibello that Tom yearns to inhabit Dickie's life and falls tragically in love with him. Dickie's wealth, style and good looks are qualities that Tom begins to covet. The frightening consequences of this attraction and the moral choices raised by the crime of murder lie at the heart of Minghella's absorbing film. Set throughout Italy (Ischia, Palermo, Rome, Tuscany and Venice), Minghella brings to life Highsmith's amoral tale of a criminal who gets away with murder.

While in hospital, Inspector Grant’s professional curiosity is soon aroused. In a portrait of Richard III, the hunchbacked monster of nursery stories and history books, he finds a face that refuses to fit its reputation. But how, after four hundred years, can a bedridden policeman uncover the truth about the murder of the Princes in the Tower?From the Paperback edition.

T.S. Eliot called `The Moonstone the first and greatest English detective novel. The novel is worthy of such praise. The story begins with a brief prologue describing how the famous yellow diamond was captured during a military campaign in India by a British officer in 1799. The action moves quickly to 1848 England, where, according to the British officers will, the diamond has been given to one of the soldiers young relatives, Rachel Verinder. Yet only hours after the diamond arrives at the Verinder estate, it disappears. Was it stolen by a relative? A servant? And who are these three Indian men who keep hanging around the estate? `The Moonstone is told from the point of view of several characters. The first portion of the tale is told by Gabriel Betteredge, house steward of the Verinder estate, who has been working for the family practically his entire life. Betteredges account holds the readers interest as he introduces the main players and the crime itself. The next account, by distant Verinder relative Miss Clack, is humorous and somewhat important. But after Miss Clacks account, things really take off at breakneck speed. Readers who latch onto the T.S. Eliot quote expecting a modern detective tale will be sorely disappointed. You aren't going to see anything resembling Jeffrey Deaver, James Patterson, Sue Grafton, or even Mary Higgins Clark. You also wont see Mickey Spillane, Dashiel Hammett, or Raymond Chandler. Nor will you see Agatha Christie, Dorothy Sayers, or Martha Grimes. You wont even see Arthur Conan Doyle. But you WILL see the novel that influenced them all. You'll also see something else. Something that modern mystery/detective writers have for the most part lost. Characters. Oh sure, modern writers have characters, but for the most part, the reader only learns enough about the character to forward the plot. In our time, plot is King.

A treasure worth killing for. Sam Spade, a slightly shopworn private eye with his own solitary code of ethics. A perfumed grafter named Joel Cairo, a fat man name Gutman, and Brigid O’Shaughnessy, a beautiful and treacherous woman whose loyalties shift at the drop of a dime. These are the ingredients of Dashiell Hammett’s coolly glittering gem of detective fiction, a novel that has haunted three generations of readers.From the Trade Paperback edition.